![]() was packaged in a special cardboard eco-pack design and safely piled behind the counter for those who pre-ordered it. The Subway is still there, and I believe the record store is now a vape shop, so turnabout is fair play in the aroma seepage wars. While looking through racks of CDs, your nose was infiltrated with the smell of oil and vinegar in a way you might imagine after years and years seeping through C-grade construction materials in a hastily-built strip mall. ![]() I can remember the smell of the little record store in the strip mall in Bainbridge Ohio because it shared a wall with a Subway sandwich shop next door. in 1993, I feel electricity running through my scalp. As I’m typing this thinking about picking up my copy of Vs. In my mind, I can still remember the feeling of waiting, and at times it was actually painful. I give this album an 8/10 on the Sweet Sounds Scale.The yearning for the follow-up to Ten was intense. But after going through this entire album, I fell in love with it. The song also connects with the first song (“Once”) and is a great way to end the album.Īt first, I was only into about one or two songs. Its sound is pretty different to the rest of the album. Its instrumentals are very good, the vocals are clear, but it’s quite depressing. This song is probably the saddest and/or darkest in the album. The song also takes inspiration from when Vedder was in school, and a student there shot up his oceanography class. “Jeremy” is based on an article in a newspaper that Eddie Vedder read, which talks about a young man, Jeremy Delle, killing himself in front of his class. This version is more popular with its vinyl release If you’re going to listen to any song on the album, it should be this one. This song is in my top 10 favorite songs, which is well deserved. It’s not too fast, with the slower instrumentals being a nice refresher. The vocals and emotion put into this song are outstanding. Just a couple songs down is “Black.” This right here is the pinnacle of this entire album (in my opinion). Definitely a super rememberable song and a highlight of the album. The song often goes from rushing, fast-paced noises and instrumentals, to slower, more defined choruses. “Alive” is “Even Flow’s” more complex, emotional cousin. It’s an amazing song with good vocals and instrumentals and doesn’t miss a beat with keeping my attention. This song is about homelessness, which goes along with the theme of this album. ![]() On the popularity side of this album, this song takes the cake. “Even Flow” is one of the highlights of this album, but I personally enjoy “Black” a little more. “Once” has similar instrumentals to “Even Flow” which would make sense, as the next song in the album is “Even Flow.” Overall, I don’t mind it, but it’s definitely not the best song in the album. ![]() The first song, “Once,” starts off with this odd, 70’s electric piano-sounding instrumental that builds up to the typical sound of the album. This is the CD version, which is more zoomed in on “Pearl Jam” The album cover has two versions, the CD version and vinyl version. Most of the songs are hits and never get boring. I personally have high regard a few of the songs in this album, and after going through it I found myself with even more respect for it. It features themes of depression, homelessness, talks about suicide, and mentions the use of psychiatric hospitals. The theme of this album is actually quite sad and depressing. It had mixed reviews among popular outlets, with Rolling Stone music critic David Frick praising it and others such as Kurt Cobain calling the songs “commercial sellouts.” These days, the album is received a lot better and has aged very well. “Ten” would start off a little rough, but slowly grow in popularity thanks to the hit singles “Jeremy,” “Even Flow,” and “Alive.” The album is reviewed as one of the best hard rock albums ever, but it wasn’t always like that. The album is disputed as being contemporary grunge, but it features more classic or hard rock instrumentals than grunge. Released on August 27, 1991, Pearl Jam’s “Ten” would set a new standard in the rock industry.
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